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When Sun Meets Moon is another romantic comedy-drama that takes place in the 1990s. But instead of searching for a lost love, Benny Lau’s follow-up centres on the two high-school students — Moon (Kathy Yuen) and Sun (Daichi Harashima) — where both of them are fans of astrology. They first met each other while stargazing during a massive blackout across Hong Kong, before fates reunite them at the stationery shop owned by her uncle (Lawrence Cheng) where she works part-time.
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Since the 1940s, alien beings known as “GRAYS” have been sighted around the globe with the thought that they visit our planet to study our species and civilization before they eventually invade…but what if we’re wrong? What if they are only here to protect us? After a meteorite crashes to earth awakening the extraterrestrial creature within, a young woman is abducted by an alien “GRAY” to aid in hunting down and destroying the creature, before it can reach a second meteorite that fell to earth decades earlier, unleashing its deadly infestation of earth.
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Vidya Balan (Sulochana a.k.a. Sulu) essays the role of a beautiful, enthusiastic and happy-go-lucky Mumbai housewife whose routine life changes when she unexpectedly lands herself with the exciting job of a night RJ (radio jockey) on a leading radio station.
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TV-Series’s New Season Starts in 2018

California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients, yet everything seems deserted. What’s more, his wife won’t answer his calls. It’s as if everyone were avoiding him. When his car breaks down, Sam becomes a prisoner of the empty, hostile environment. Alone and without human contact for days on end, he listens continuously to a talk-show on the only local radio station. The host, a man named Eddy, takes calls from listeners who share their thoughts on a child killer at large in the area. At the same time, Sam starts getting psychologically harassed by strange threats he receives on his pager. Gradually, people begin to reappear and attempt to kill him. Sam has become a target and he must now defend himself. Little by little he loses it, caught up in a paranoid identity crisis. Is he truly the killer they’re after, or is he being driven …
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California, Mojave Desert, 1998. A strange glow appears in the sky. Sam, a forty-something door-to-door salesman, travels through the few inhabited zones of the Californian desert in search of clients, yet everything seems deserted. What’s more, his wife won’t answer his calls. It’s as if everyone were avoiding him. When his car breaks down, Sam becomes a prisoner of the empty, hostile environment. Alone and without human contact for days on end, he listens continuously to a talk-show on the only local radio station. The host, a man named Eddy, takes calls from listeners who share their thoughts on a child killer at large in the area. At the same time, Sam starts getting psychologically harassed by strange threats he receives on his pager. Gradually, people begin to reappear and attempt to kill him. Sam has become a target and he must now defend himself. Little by little he loses it, caught up in a paranoid identity crisis. Is he truly the killer they’re after, or is he being driven …
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In Sarasota, Fla., circa 1974, an ambitious, 29-year-old reporter is relentlessly motivated to succeed. She knows she has talent, but being a driven career woman in the ’70s comes with its own challenges, especially when competition for a promotion and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, the station manager issues a mandate to deliver juicier and more exploitative stories, a story firmly at odds with her serious brand of issue-based journalism.
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In Sarasota, Fla., circa 1974, an ambitious, 29-year-old reporter is relentlessly motivated to succeed. She knows she has talent, but being a driven career woman in the ’70s comes with its own challenges, especially when competition for a promotion and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, the station manager issues a mandate to deliver juicier and more exploitative stories, a story firmly at odds with her serious brand of issue-based journalism.
Read More »